THE BLACK DAHLIA MURDER: DEFLORATE

The Black Dahlia Murder returns with a terse homage bountifully bursting with Swedish metal influence with their unique blackened thrash twists embedded within on their 10-track, 34-minute collection Deflorate. Showcasing swift jabs of focused aggression with a familiar brutality behind it all (“Eyes of Thousands”), this Michigan troupe’s delectable twin guitar tandem craft some niftily nefarious solos (“Throne of Lunacy,” “Necropolis”) while Trevor Strnad’s varied vocal approaches continues to spew venom although exhibiting a tad more restraint than usual, allowing the unit’s trademark maniacal melodic side to commandeer the bastardized blitz (“I Will Return,” “A Selection Unnatural”). Despite claims by some who lament about the band being a bit stagnant (“interchangeable” seems to be a buzz word flying around regarding this band’s output), TBDM continues to dole out a brutishly consistent strain of metal that does a stellar job of unleashing the beast in us all. www.metalblade.com -Mike SOS

DESPISED ICON: DAY OF MOURNING

Canadian cripplers Despised Icon continue to outshine the majority of peers from the deathcore pool as the troupe’s latest 10-track offering Day of Mourning aptly displays with both a vitriolic viciousness and a durable grip on both Hatebreed hardcore and Dying Fetus death metal firmly intact (“Day of Mourning”). Despite a solid yet somewhat surprisingly atmospheric one-two punch closing out the affair (“Entre Le Bien et Le Mal,” “Sleepless”) and a tremendous percussive performance courtesy of Alex Pelletier whose blazing speed, relentless battering, and dastardly doses of dexterity make a serious bid for this squad to be thrust into the upper echelon of extreme metal, this sextet’s undeniably blistering array of mosh-friendly riffs and ripping twin vocal attack at times come off stock and formulaic (going so far as ripping themselves off from previous works), ultimately falling prey to the maligned genre trappings similar acts often get lambasted for. Nonetheless, if you’re looking for a modern take on heavy music and can withstand the done to death breakdown-happy parts, Despised Icon’s latest does get the job done while demonstrating this act’s leadership position in deathcore’s day-glo trenches. www.centurymedia.com -Mike SOS

CIRCADIAN SKIZM: CIRCADIAN SKIZM

NYC metal trio Circadian Skizm unleashes a brutal barrage of progressively inclined extreme metal on the squad’s latest four-track excursion. Featuring two studio cuts and two lesser-quality live tracks that provide an adequate feel for the unit’s live show yet drag the collection’s vibe down considerably, this act incorporates an unorthodox concoction of early forward thinking death metal tones a la Death with a steady stream of off-kilter metallic mayhem to forge the type of menacing heaviness that keeps the listener engaged with headbanging delight while slightly uneasy as to what’s to come. If you like your metal bruising with an unsettling tint, this band delivers. www.circadianskizm.com -Mike SOS

EVERGREEN TERRACE: ALMOST HOME

Now in their 10^th year as a band, Evergreen Terrace confidently dole out an unashamedly hybrid melodic hardcore onslaught on fifth album Almost Home. This audacious Florida-based outfit’s scathing screamo, Warped Tour punk rock, and tough guy metalcore collisions yield a myriad of hook-laden crushers whose infectious bite manages to comfortably combine the wares of Death By Stereo, Fall Out Boy, All That Remains, and Comeback Kid (4,8). But don’t discount this troupe’s thunder just because some of their songs contain parts that make your girlfriend swoon, because underneath lie plenty of chunky chuggers and moshpit movers that keep the floor occupied in a constant state of flow (9). While Evergreen Terrace’s stylistic balance may not appease all, this troupe’s latest album is sure to please the more open-minded sect of metal fans with modern sensibilities. www.metalblade.com -Mike SOS

ARMED FOR APOCALYPSE: DEFEAT

Armed for Apocalypse features former members of California metal units Will Haven, Ghostride, and The Abominable Iron Sloth, so those familiar with the sheer sonic sludgefest employed by those acts will have no problem embracing Defeat, as this disc demonstrates logical sound progressions emanating from those particular starting lines. This eight plus a bonus track (a rousing cover of “Tempatation’s Wings” by Down”) endeavor is a soulshaking affair equipped with a dark heaviness explosively fusing a set of menacing vocals, cavernously churning guitars, devastatingly deliberate doom-laden rhythms (“You Are Alive When They Start To Eat You”), and crushing basslines to comprise a merciless and malevolent melodic metal assault (“Torch Light Search For The Dead”). Constructing a viscous wall of sound that steamrolls your senses, Armed for Apocalypse stomps you to the ground without a shred of remorse, making this wallow in the mire a crucial purchase for those who enjoy their music lurching and downtrodden. www.metalblade.com -Mike SOS

ABACINATE: A KING’S THIRST FOR THE FROSTY BREW

New Jersey deathcore mob Abacinate’s album title projects the notion that this band might be a pirate metal troupe, but after one listen of this quintet’s dastardly mix of downtuned death metal crunch and slam-worthy staccato, that idea is dispelled right quick. Decked out with flurries of six-string acrobatics and potent percussive pounding aplenty (“Rife with the Stench and Squalor”), Abacinate exhibits an uncanny knack to gracefully blur lines between tough guy hardcore and death metal by throwing in an authentically ass-kicking cover of Sepultura’s “Nomad” as well as utilizing rounds of gang vocals in “Shake the Spot” as welcomed reprieves from beleaguered formulas. While this type of metal can get tiresome both physically and mentally, this squad’s innate ability to throw down burly breakdowns or simply blast away as needed assists this group’s righteous mission to destroy all in their way without losing an ounce of street credibility. www.abacinate.net -Mike SOS

SANCTIFICATION: BLACK REIGN

Swedish death metal squad Sanctification return with their latest nine-track excursion Black Reign. This unit, who boasts members of Dark Funeral, In Battle, and Demonoid in their ranks not to mention production by the team of the Tagtgren brothers and Dan Swano, adopts a decisively Americanized approach a la Deicide and Morbid Angel with leanings towards an old school influence by such luminaries as Entombed, Bloodbath, and Grave to diabolically fulfill nightmares across the globe (“Storm”). Complete with relentless deluges of low-pitched vocal growls a la latter day Cannibal Corpse (“Hear This”), a salvo of crushing blast beats, and rapid-fire rounds of muscular fretwork manning the helm (“Black Reign”), this disc juxtaposes two of the more scathing death metal styles together to form a juggernaut of a release that ardent supporters of early underground metal will gleefully bang their head to. www.pulverised.net -Mike SOS

MY OWN DEATH: NECROLOGY

Sweden rarely fails when it comes to churning out mass quantities of quality death metal, and the latest endeavor by raging quintet My Own Death once again proves the theory to be true. This seething squad’s sophomore effort Necrology nary shows a sign of slump, as these macabre metal merchant’s blend of gore-inspired subject matter, fast-paced rhythmic frenzy (“Age of Torment,” “Carnal Revelations”), punishing grooves, bellicose vocal bellows, and thrash-y twin guitar assault of menacing riffs and tasty solos yields a warmongering fury from the opening strains of the march-like “Awaiting Death” right until the last note of “Incineration” is played. Brutal and bludgeoning, this disc delivers the goods with all of the delectable devastation a solid death metal release should. www.pulverised.net -Mike SOS

KARNIVOOL: SET FIRE TO THE HIVE

Eclectic Australian rock troupe Karnivool returns with a mixed bag EP that previews the unit’s new sounds in addition to revisiting old ones on the four-track Set Fire To The Hive. This quintet’s forward-thinking approach immediately brings to mind a combination of System of a Down, Dredg, and Incubus, as Karnivool’s hard rock hooks, unorthodox melodies, and left of center arrangements (just check the horns on “Roquefort” as an indication of what to expect) switch from furious to fragile in the blink of an eye, all with a captivating vocalist skillfully tying the entire grandiose offering together. Exuding the capability to stretch rock music’s boundaries past normal limits, Karnivool’s stopgap presentation provides an ample overview of how this band works. www.karnivool.com.au -Mike SOS

GWYNBLEIDD: NOSTALGIA

Brooklyn, NY by way of Poland quartet Gwynbleidd establishes a name for itself on the prog death metal front with the release of Nostalgia. Despite an obvious Opeth inspiration infused either purposefully or merely by design, this unit champions a grandiose presence, wondrous compositional flow, and epic songwriting techniques that work in symbiosis to form a refined eight-track affair custom made for those who appreciate the sounds of sweeping and majestic metal with a sinister growl spearheading the movement (“Thawing Innocence”). Fleshing out intriguing dynamic twists without losing an unwavering density that keeps the album’s pace brisk notwithstanding lengthy arrangements and the mood ominous and foreboding, this album’s lush acoustic interludes woven into waves of somber and reflective melodic death metal deftly hammers home a solid sense of metallic melancholy.  While the sound-alike references this act is bound to face may be a dealbreaker, this squad’s elegant sense of musicality and masterful manipulation of the death/doom/folk metal triad reveals an enjoyable listening experience for those who like to adventure with ambient metal. www.blackcurrantmusic.com -Mike SOS

PESTILENTIAL SHADOWS: IN MEMORIAM III OMEN

Black metal isn’t just coming from normal channels anymore, as Australia’s Pestilential Shadows demonstrates with a mutual blast of the cold and bleak temperance shared amongst their northernmost peers This unit’s latest elegiac eight tracks of evil titled In Memoriam III Omen features a feral battering of twin guitarwork to guide the affair into black metal’s murky depths and pits of despair on cuts such as “Of Loss And Suffering Inherit” and the ethereal instrumental “Ecclesia Moriendi”. Everything else from authentic production values to the vitriolic vocals is not only solid, but a cut above genre specifications, stamping menacing mid-tempo numbers such as “Beautiful Demise” with the right measure of glacial isolationist tendencies and significantly somber musicianship for a hearty combo of melancholy and mayhem (“With Serpents I Lay “). www.pulverised.net -Mike SOS

ANNUNAKI/ ANTICOSM: SPLIT CD

New Jersey metal merchants Anticosm and Annunaki join forces for a six-song split of unadulterated power and malevolent metallic fury. Up first are Annunaki and their pristine blend of dark thrash-infused melodeath leaning slightly towards the Swedish side of the spectrum a la The Haunted and Dark Tranquility. This act’s controlled chaos rips skulls apart on cuts like the vehemently blackened “Blunt Scapel Extraction”, whose wailing whammy bar abusing guitar solo slays with barbaric stealth. Anticosm closes out this malicious melee with a lesser produced yet similarly spirited blend of metal, as this unit’s bold warrior look (complete with fur and spikes) is accompanied with a sinister stream of traditional power metal, black, and groove metal evoking the wares of bands ranging from Goatwhore to Three Inches of Blood on “Necrolepsy Slumbershock”. Sharing a common interest of interpreting modern nuances into old school extreme metal templates, this split disc steers listeners past crowds straight to a place in the underground where hellacious hybrids reign supreme. www.myspace.com/anticosm & www.myspace.com/annunakiband -Mike SOS

LEAVES’ EYES: NJORD

Symphonic metal sextet Leaves’ Eyes return with Njord, a sweepingly orchestral offering perfectly crafted for a theatrical production. Led by the powerhouse vocals of Liv Kristine and adorned with an enormous wall of music encompassing everything from waves of singing choirs and world beat woodwinds (“Irish Rain”) to effective beauty and the beast vocal tradeoffs and killer melodic death metal underpinnings (“Emerald Island”), this disc dramatically delivers with an over the top grandiosity considerably less fluffy yet decisively more consistent than previous works. Fans of Lacuna Coil, Within Temptation, and Nightwish will have little problem diving headlong here, as this 12-track disc goes above and beyond the call of duty with providing a refined and robust symphonic/goth/folk metal platter. www.napalmrecords.com -Mike SOS

AMY LYNN AND THE GUN SHOW: AMY LYNN AND THE GUN SHOW

A staggering dose of genuine soulfulness spews from the latest eponymous four-track offering by Amy Lynn and The Gun Show, so much so that you could probably get away with conning friends into believing this disc is a remastered collection of gems from days gone by. This nine-piece band champions a bevy of stylistic tricks from Phil Spector’s patented Wall of Sound technique while lead singer Amy accompanied by a proficient duo of backup singers push the Supreme-esque approach to the moon and stars on cuts like the dynamically shapeshifting “My Only One.” Making the most from having the luxury of having nine musicians working in unison, Amy Lynn and The Gun Show produce an organically enriched musical experience that sizzles with snappy melodies and shimmying rhythms where modern pop sass, old school AM radio R&B and classic soul collide. www.amylynnandthegunshow.com -Mike SOS

FAUST: FROM GLORY TO INFINITY

Displaying a dastardly dichotomy of tumultuous technicality and savage bludgeoning, the latest nine-track offering from veteran unit Faust demonstrates the barrage of intense and involved guitar runs, unearthly vocal growls, blazing tempos and cascading melodies that helps to round out this seasoned crew’s multifaceted evil attack (“Carnal Beattitude”). Emitting a enriched and refined aura while blasphemously blasting the masses with the type of hellaciously hate-filled vitriol heard on cuts like “Golden Wine Countess”, this band pounds out aggression with a sense of progression at the forefront of their blistering assault, interchanging dynamic musical interplay with dramatic atmospheric swings that masterfully captures the wicked grace and grave glory of the pioneers of death metal in their heyday. www.paragonrecords.org -Mike SOS

POWER PELLUT: POWER PELLUT

Louisiana sludge trio Power Pellut mix Am Rep style vocal barks with a slew of fuzzed out Eyehategod-esque viscosity to comprise its eponymous six-song swampy sojourn. Solely released on 180g vinyl and limited to a 500 copy run, this uniquely presented offering specializes with an amps cranked to 11 ballistic rhythmic explosiveness seemingly derived from endless hours of jamming in the studio with the bloodshot intent to crush all in its path firmly at the forefront of the mission.  Not unlike fellow purveyors of dissonance such as Melvins, Unsane, and Black Sabbath, Power Pellut’s purge to plod provides a skull-rattling good time for those who choose to take their metal with a side of ugly. www.imbetterthaneveryonerecords.com -Mike SOS

MIDNIGHT FISTFIGHT: THE MAIN EVENT

NYC’s Midnight Fistfight recall a time when denim and leather was the uniform and the attitude was fast and loose on their Sunset Strip soaked five-track debut The Main Event. Equipped with a gritty guitar tandem whose nimble fretwork and on the money Guns ‘n Roses and Skid Row by way of AC/DC and Faster Pussycat riffs (“My Cocaine”) gel with lead vocalist Dan Pyro’s Dionysian lyrical double entendres and credible cock rock delivery (“Booze & Bitches”), earning this offering an all access pass back to the glory days of arena rock and hair metal’s excesses and successes. www.myspace.com/midnightfistfightrules -Mike SOS

KRUM BUMS: SAME OLD STORY

Austin, TX punk quintet Krum Bums return with its high-energy attack and sinister snarl fully intact on Same Old Story. This six-track affair authentically exudes punk’s rebellious nature without sacrificing melody on cuts like “Sons of Nothing” and the street punk sing-along “No Apologies” while cranking up the heat in true Krum Bum fashion on the rapid-fire “Coliseum,” satisfying all ends of the genre’s spectrum with an angst-ridden  punk-metal powderkeg ready to explode. www.tkorecords.com -Mike SOS

THRONEUM: DEATHCULT CONSPIRACY

Polish blackened death metal troupe Throneum exhibit a nefariously necromantic blend of Celtic Frost, Possessed, Sepultura, Entombed, and Obituary on their nine-track descent into the catacombs entitled Deathcult Conspiracy. Raw and relentless, this disc’s fitting murky production, maniacal and ferocious vocal performance (“Rituals of Fire and Sulphur”) evil arrangements (“His Shadow”) and sturdy guitar riffs and fills are far from groundbreaking yet hypnotize with a catastrophic cadence whose blasphemous brutality and unabashed underground approach is bound to earn points for those who choose to embrace the sunless universe (“Wizzard’s Testimony”). www.paganrecords.pl -Mike SOS

WHILE HEAVEN WEPT: VAST OCEANS LACHRYMOSE

A histrionic strand of sorrowful and forlorn progressive metal comes courtesy of seasoned sextet While Heaven Wept and their latest disc Vast Oceans Lachrymose. This veteran unit’s six year in the making melancholic collection features discernibly less epic doom than previous works while showcasing pervasive Dream Theater-esque melodic flair with Fates Warning-like lengthy instrumental passages. The band stunningly pulls off this graceful shift in styles without completely extinguishing their once dominant doom-laden flame (“Living Sepulchre”), surely a relieving thought for longtime followers. Boldly using the wide array elements in their vast arsenal to form a grandiose strain of majestic yet somber metal falling squarely between Katatonia and Solitude Aeternus, While Heaven Wept display elegant and forward-thinking metal at its best. www.cruzdelsurmusic.com -Mike SOS

THE DESTRO: HARMONY OF DISCHORD

Proud to proclaim a breakdown band they are not, Dallas, TX squad The Destro instead opt to unleash brutal barrages of thrashy and sludgy death metal on latest release Harmony of Dischord. Containing nine-tracks of non-stop teeth-gnashing groove-laden metallic goodness, this quartet strikes with Carcass-esque precision (“Angel Killer”), dastardly deathcore rage (“Thorns of Truth”) and a boatload of southern-fried by way of Sweden downtuned guitar licks that wouldn’t sound out of place in a jam between Exhorder, Meshuggah, Exodus and Down (“Mouth of the Heretic”). Yielding a one-dimensional yet utterly punishing entity, this troupe pushes levels to the brink of disaster (“Persistence of Ignorance”) truly revitalizing an extreme aura back into modern extreme metal. www.metalblade.com -Mike SOS

HELEN MONEY: IN TUNE

Alison Chesley uses her creativity, an effects board or two and a cello to make music on Helen Money’s sophomore effort In Tune. This captivating and unique offering dishes out nine unorthodox compositions whose brooding metallic base and overcast experimental flourishes rival those championed by the current crop of post metal acts (“Untitled”) and wouldn’t sound out of place as a score to a quirky indie flick (“Waterwalk”). Uneasy by design and deceptively chilling yet hauntingly memorable (“Too Heavy”), this disc exhibits the sonic might, foreboding darkness, and crushing heft a cello is capable of when put into the hands of a performer with an adventurous mind, a boundless spirit, and a rock ‘n roll soul. www.tableoftheelements.com -Mike SOS

DYSE: LIEDER SIND BRUDER DER REVOLUTION

The wildly eclectic two-man rock ‘n roll machine known as Dyse turns discordant punk upside down with the avant-garde 11-track Lieder Sind Bruder Der Revolution. This German duo’s fearless songwriting tactics, sensational use of loud/soft dynamics, tightly wound hardcore guitars (“Supermachineeyeon”), and raucous robot metal outbursts (“Shop Sui”) are likely to be ravished by those who can’t get enough Queens of the Stone Age or Refused. Cuts like “Dysenfischdyse” feature vocalizations salaciously switching between whimsical and brutal while the sinewy swagger of “Trick” and the majestic “Baubaubau” is doused with triumphant trumpets to spice this unit’s bottomless barrage of spastic schizophrenia. Possessing the kind of unbridled passion and boundless ambition that fosters repeated listens, Dyse’s latest release is a perfect choice for disaffected listeners who clamor for their heavy music to go beyond genre norms. www.mainstreamrecords.de -Mike SOS

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Mike SOS is a frequent contributor and great friend to the Gears of Rock. Be sure to check out Mike SOS’ bands Seizure Crypt and SOS. They will rock your balls off!

Friends, countrymen, and Tipper F*cking Gore, it is time to once again lend W.A.S.P. your ears in the most undivided of manner. Blackie Lawless and company return to deliver another powerful onslaught of classic heavy metal on Babylon.

As you already know, when an album’s subject matter centers around the Four Horsemen of the Apocalypse, an exciting rock exhibition is only imminent.

First off, this record is certainly an improvement from 2007’s politically driven Dominator,  however a blistering cover of Deep Purple’s “Burn” from the Dominator sessions has been resurrected for Babylon. It is not quite as awesome, as their classic interpretation of The Who’s “The Real Me,” but still a great track.

Of the nine tracks, “Into The Fire,” “Godless Run,” and “Crazy” are the best, emitting darkened rays of bestial bliss at every bar. “Babylon’s Burning” and “Live To Die Another Die” are sure to be fan favorites serving up some classic 80’s flare, as well as the fist-pounding “Seas of Fire.”

The 44-minute running time is perfect, as most albums these days are far too long, and that practice does not accommodate the realities of our A.D.D. infested planet of today. Another commendation is that this album contains a strong ending in “Promised Land,” an upbeat Chuck Berry cover.

Babylon represents yet another solid year-ending release, which makes me wonder: where were all of the good hard rock records hiding during the first nine months of 2009? -Meds

W.A.S.P. is Blackie Lawless (Vocals/Guitars), Doug Blair (Guitars), Mike Duda (Bass/Vocals), & Mike Dupke (Drums).

Track Listing:

1. “Crazy”
2. “Live To Die Another Day”
3. “Babylon’s Burning”
4. “Burn”
5. “Into The Fire”
6. “Thunder Red”
7. “Seas of Fire”
8. “Godless Run”
9. “Promised Land”

amazon.com — official site — wikipedia.com

This Is It? Maybe “this was it” or maybe “this could have been it.” Either way you slice, dice, or dissect it, This Is It is a remarkable and outstanding swan song to the King of Pop. He definitely could still sing. He definitely could still dance.

Michael Jackson breezes effortlessly through gems from every era of his career. Not to say he was slacking, but remember this was just rehearsals and prep for the big return. I just can’t imagine what the real deal would’ve been. Anything less than amazing, I would be shocked.

The production of the stage show is way over the top and really would’ve been a spectacle to see. A great standout moment is the production that was put into “Smooth Criminal.” Director Kenny Ortega places Michael inside the movie His Girl Friday and has him chased and shot at by gangsters. “The Thriller” sequence is amazing and makes you even stop to think, how ahead of it’s time the track and album truly was. The jazzy intro makes “The Way You Make Me Feel” even more likable. A trio of Jackson 5 hits is thrown in and shows Michael’s voice was still capable of hitting those high untouchable notes.

It is a shame that the world lost this man before his redemption and from what I just witnessed, this would’ve put Michael Jackson on his way toward that. Long Live The King of Pop -NZA

Oh boy! You are either gonna love or hate this. I love it. Weezer serves up a great mix of pop and rock on Raditude. Tapping into an infectious groove somewhat reminiscent of Katrina and The Waves’ “Walking on Sunshine,” the first track and single “(If Your Wondering If I Want You To) I Want You To” makes you smile and toe tap the night away. It doesn’t stop there, not by a long shot. Rivers Cuomo, with a little help from some friends, taps into his inner most nerd (although he has never hidden that from us) “ooohing and ahhhing” on “The Girl Got Hot.” Tight and snapping rhythm is key provided by the  teammanship of Pat Wilson and Scott Shriner. Don’t worry Brian Bell fans, his presence is felt every so much on key track “Let It All Hang Out,” which also pays homage to a night on the town with the fellas. Obscurity sets in on the disco-esque “Can’t Stop Partying” which even taps into a rap interlude in the middle. “Love is The Answer” has beautiful sitar and amazing harmony work on it that gives “Jai-Ho” from Slumdog Millionaire a run for its money. Weezer, for me, really hasn’t lost a step and continues to entertain my inner most nerd (which i hide well until i open my mouth) -NZA

Weezer is Rivers Cuomo (Vocals/Guitar), Brian Bell (Guitar/Vocals), Scott Shriner (Bass/Vocals), & Pat Wilson (Drums/Vocals).

Track Listing:

You would think that even a pioneering thrash metal band would evolve and head in a different direction at some point during a career that spans nearly 30 years. Not Slayer. On World Painted Blood, Slayer is just as devastating, fast, and angry as they were in 1986.

This is a band that has consistently opted for the conservative and rare “stick to your guns” approach while mastering the craft that they began in the process. Slayer delivers thrash perfection offering musical aggression at its finest. Standout tracks such as “Snuff,” “World Painted Blood,” “Psychopathy Red,” and “Beauty Through Order” might as well have been A-Sides on Reign in Blood and Seasons in the Abyss.

The lead guitars of Jeff Hanneman and Kerry King not only trade shotgun blasts of shreddage throughout but also harmonize in the most demonic of manner on “Playing With Dolls” and “Human Strain.” You can expect the fist throwing “Hate Worldwide” to be a hard stomping pit-pleaser on the supporting world tour and beyond.

Dave Lombardo’s powerful drumming is thunderous and explosive particularly on “Unit 731″ and “Public Display of Dismemberment,” while Tom Araya continues to display his dominance as the official voice of thrash music. All in all, World Painted Blood is flawless and immaculate, a 5-star performance, and the album of the year -Meds

Slayer is Tom Araya (Vocals/Bass), Jeff Hanneman (Guitar), Kerry King (Guitar), & Dave Lombardo (Drums).

Track Listing:

1. “World Painted Blood”
2. “Unit 731″
3. “Snuff”
4. “Beauty Through Order”
5. “Hate Worldwide”
6. “Public Display of Dismemberment”
7. “Human Strain”
8. “Americon”
9. “Psychopathy Red”
10. “Playing With Dolls”
11. “Not of This God”

amazon.com — official site — wikipedia.com

GOR Recommends Megadeth Endgame and Alice in Chains Black Gives Way To Blue.

When I decided to devote an entire post to the top 7 (I couldn’t think of 10) hottest girls, girlfriends, fiances, wives, and companions of heavy metal, I had only one thing in mind: generating thousands of additional stray and random hits on Google searches from people like you! So yes, I completely pimped out my wonderful, authoritative, and well-respected heavy metal review blog like a cheap groupie whore offering twofers and freebies to low level security personnel in the hopes of reaching Bret Michaels’ sweaty nut sack after a Poison show on a hot August night. I feel disgusting. No, I am disgusting. Anyways, here is the final result of this new Gears of Rock low:

#7 Fai McNasty (Mick Mars of Motley Crue) When I first heard of 25 year old McNasty with Mick Mars, I was worried. Seemed like the Zurich native was only looking to make a name for herself, setting Mars up for disappointment. Then again, Mick wouldn’t tolerate such nonsense.

Fai McNasty Photo

Hotness: 6     Coolness: 6      Heavy Metal: 7     Avg: 6.3

#6 Taya Parker (Bret Michaels of Poison) Rock of Love was dumb. Rock of Love Bus was dumber. We watched ‘em all and we are now brain dead.

Taya Parker Photo

Hotness: 9     Coolness: 5     Heavy Metal: 7     Avg: 7

#5 Carmen Elektra (Rob Patterson of Otep) Ms. Elektra is certainly getting up there in age these days and has built quite a resume (from Prince to Rodman to Navarro) but is still composed of a high level of hotness that is also fueled by the rock attitude that she continues to embrace.

Carmen Elektra Photo

Hotness: 9     Coolness: 7     Heavy Metal: 6     Avg: 7.3

#4 Tera Patrick (Evan Seinfeld of Biohazard and The Spyderz) Evan Seinfeld wrote a few sick metal tunes for Biohazard in the 90’s, now he is married to one of the hottest and most talented chicks in the porno biz.

Tera Patrick Photo

Hotness: 8.5     Coolness: 8     Heavy Metal: 7     Avg: 7.8

#3 Kat Von D (Nikki Sixx of Motley Crue) Nikki Sixx is very bad ass and would only date a super bad ass gal. Kat Von D has been the epitome of hard rocker chick as we have seen on her reality show L.A. Ink. Whether you find her tattoos to be repulsive or a brilliant work of art, you can’t deny the fact that she rocks.

Kat Von D Photo

Hotness: 6     Coolness: 9     Heavy Metal: 9     Avg: 8

#2 Cristina Scabbia (Jim Root of Slipknot) Cristina “no damn h in it” Scabbia is not the hottest beauty on the planet. Instead, she is the hardest rocking woman in the universe. Even though Lacuna Coil’s last album was dull, a hot Italian girl that can front a metal band is many guy’s fantasy.

Cristina Scabbia Photo

Hotness: 6.5     Coolness: 8     Heavy Metal: 10     Avg: 8.2

#1 Sheri Moon Zombie (Rob Zombie) She’s metal. She’s hot. She’s into horror. She’s, well, all Zombie!

Sheri Moon Zombie Photo

Hotness: 7     Coolness: 10     Heavy Metal: 10     Avg: 9

Disclaimer: The arbitrary rankings used to compose this list are based on a scale of 10. None of the links above will take you to smut websites or pages with pornography, I hope. I also hope that you enjoyed the new low to which this blog sank.

Neversoft and Activision did something very cool in these tough economic times and offered Guitar Hero Van Halen free to those that purchased Guitar Hero 5 prior to Oct. 1, 2009. As a free game, GHVH is another excellent addition to the franchise, but is it worth paying for?

Better tunes, better calibration: The hard rocking set list of 44 songs clearly outshine GH5’s tracks and that is the single make-or-break factor of all rhythm games. Additionally, the World Tour style instrument calibration is back instead of the awful experimental settings offered in GH5.

Lookin’ good: The avatars stage antics of Diamond David Lee Roth, Eddie Van Halen, and Alex Van Halen came out great. As you rock out on classics like “Beautiful Girls” and “Feel Your Love Tonight,” the game offers current day depictions as well as the 80’s style (see game trailer below).

Only buy if half-price: However, GHVH has several shortcomings that would have kept me from purchasing the game at full market value. You can tell that more effort and care was put into GH:Metallica than this game in terms of stage setups and overall band culture, as only half of VH’s career is accounted for. Therefore, I would only buy this if it is $29.99 or less.

You can’t do that: Furthermore, Van Halen had the audacity to leave Michael Anthony out of the game and then ignores the Sammy Hagar years all together (lack of Gary Cherone not a big deal). Instead of Anthony on bass, we are stuck with Eddie Van Halen’s chubby teen son Wolfgang, who has yet to record a classic album. It is very awkward to see Wolfgang in the band when the setting is the early 80’s. But I did hear somewhere that Wolfgang selected most of the non-VH tracks.

Crowd overkill: One thing that this game does different is the crowd participates and sings along with the hooks and choruses. At first, the increased audience participation took me by surprise and threw me slightly off my drum rocker. It turns out to be overkill because every track from “Panama” to “The Best of Me” by the Foo Fighters contains this feature.

This game is worth it for early Van Halen die-hards at full market price of $49.99, worth it for fans of the franchise if at half price, and worth it for everybody if free. Unfortunately the USA has limits on the practice of price discrimination -Meds

amazon.com — wikipedia.com — official site

The second Rob Zombie track leaked from Hellbilly Deluxe 2 is “Sick Bubble Gum,” a dizzying mutha flucking journey that surpasses “What?” in production, but lacks in comparable riff assaults and diabolical programming. John 5’s diligent lead guitars finish out the tune in a manner similar to “War Zone” from The Punisher soundtrack, which means this song also lacks an adequate instrumental break mid way; a demonstration of poor orchestration. I’m not sure where Zombie is headed on the Hellbilly sequel at this point. It seems that if he offers the coherent lyrics of “Sick Bubble Gum,” an instrumental break where John 5 can shine, and some of that old infectious spookshow programming, he could have another solid album -Meds

Rob Zombie is Rob Zombie (Vocals), John 5 (Guitars), Piggy D (Bass), & Tommy Clufetos (Drums).

Rammstein – Liebe Ist Fur Alle Da [Oct. 20, 2009] Never fully got into these guys, don’t consider myself a fan, but you can’t dislike their one hit track “Du Hast.” Have they released anything as powerful since? Not so much. Pre-release verdict: Rammstein’s music is always amusing from an American’s perspective. There is something about the aggression, hostility, and anger in their presentation of the German language.

Slayer - World Painted Blood [Nov.3, 2009] I have been looking forward to this album since  last year’s release of the thrash punk track “Psychopathy Red” that was offered during the “Unholy Alliance” tour. Pre-release verdict: Slayer is legendary and is not capable of releasing bad thrash music. This could be in the running for best metal album of the year, even with its November 3 release date.

Rob Zombie – Hellbilly Deluxe 2 [2010?] Just got word today that Zombie pushed this release from Nov. 17 to next year. Why? Perhaps “What?,” the first single did not receive a great reception. Pre-release verdict: Weird delays like this make me very nervous. Probably won’t be as great as the original Hellbilly Deluxe or The Sinister Urge. Let’s see how the fall/winter tour progress.

2009 is really winding down now. Make sure you vote for the best hard rock and heavy metal album in the Gears of Rock poll. I am really looking forward to your picks. The results will be posted in December -Meds

I can’t say that I underestimated Kiss before listening to Sonic Boom maybe just “underexpected” (my new word) them. That’s all gone now. Raise up your horns kiddies and let the ol’ Knights in Satan’s Service take you on a nice and rockin’ ride! Sonic Boom reinvents Kiss and brings a whole new respect of the band personally for me. They follow the formula that best suits them: Keep it Simple, stupid! Tracks like “Never Enough” and “Stand” make me forget that its 2009 and feel like im listening to the vintage Kiss records of the 70’s. Ace Frehley and Peter Criss aren’t here and for the first time, I really don’t miss them. Eric Singer provides the big BANG Kiss needs while Tommy Thayer rips and shreds like the bastard nephew of Ace Frehley, Bruce Kulick, and Vinnie Vincent. “I’ve got the power any hour, baby, feel my tower of power” is the poetry of Gene Simmons and he is the only one that could get away with sayin’ it (“Hot & Cold”). Paul Stanley still does his “ooooohs” and “ahhhhhs” and I could just see him strutting his stuff playing along to these tunes. All in all, Sonic Boom is the best stuff the originators of the rock n roll circus have to offer in merely two decades. Welcome back Kiss and I am sure, not that Sonic Boom helped, you will be inducted into the Rock and Roll Hall Of Fame before your tour is “officially” over -NZA

Kiss is Paul Stanley (Vocals/Guitars), Tommy Thayer (Guitars/Vocals), Gene Simmons (Bass/Vocals), & Eric Singer (Drums/Vocals).

Sonic Boom is available exclusively at Wal-mart in a 2 disc+ 1 DVD set. Disc 2 is Klassic Kiss hits rerecorded w/ Eric Singer and Tommy Thayer and the DVD is Kiss Live in Buenos Aires. 3 discs for under $15 bucks ain’t that bad. OHHHHHHHHHHH YEAH!!!!!!

Track Listing:

1. “Modern Day Delilah”
2. “Russian Roulette”
3. “Never Enough”
4. “Yes I Know (Nobody’s Perfect)”
5. “Stand”
6. “Hot and Cold”
7. “All for the Glory”
8. “Danger Us”
9. “I’m an Animal”
10. “When Lightning Strikes”
11. “Say Yeah!”

Read Meds’ review of Sonic Boom